Selected works
Melting Targets (2018–present)
Installation, steel construction, colored ice, pigment, canvas
Rotating discs of colored ice melt above a canvas, allowing paint to drip down in circular traces. The painting emerges through gravity, temperature, and movement rather than manual gesture. The setup functions as a machine in which time, material, and motion produce the image.
St. Sebastian with Birds (2022–2024)
Installation, 3D-printed mold, metal armature, fat, birdseed, stainless steel, video — life-size, dimensions variable
A life-size figure made of fat and birdseed is gradually consumed by birds, continuously changing shape. What appears as an image disappears again. The stainless steel structure remains as a support, making visible the tension between decay and construction.
Mindcaging (2016–2026)
Sculpture / installation, metal or aluminum construction, figure, weight elements, mixed media — dimensions variable
A body is trapped within a construction shaped by its own thinking. The work evolves from a compact sculpture into a system involving weight, air, and image. Thought appears both as structure and as constraint.
Saturn (2001)
Public sculpture, coated steel — approx. 3 m high
A three-meter-high white figure stands at the boundary between a recreational zone and a nature reserve in the Lommel Sahara. Inspired by Goya’s Saturn, a technological being appears here instead of a mythical god. The smooth surface contrasts with visible weld seams. The work situates the human drive for control and progress in relation to its consequences.
Drawing in Motion (ongoing)
Large wooden panel — 3x2.2m
Drawing is approached as an ongoing process. The image emerges through accumulation and transformation, without a fixed endpoint or stable composition.
Sleeping In With the Sleepers (2022-2024)
Installation, sculptural figure, mattress, sugar bags, ropes, air system — dimensions variable
A standing figure rests its head in its hands. A mattress in front inflates and deflates. Sugar bags pull the mattress around the body as the air escapes. A recurring cycle of tension and release connects passivity with delayed consequences.
Sfincterman (2020–2024)
Installation, metal structure, 3D-printed elements, text ribbons, liquids, video, participatory system
Sfincterman is a continuously transforming figure centered on the expression of thoughts. Words, objects, and later colored liquids are added, moved, and rearranged by visitors. What begins as a sculpture grows into a system of contagion in which language, meaning, and form collectively spread and evolve.
Racer Malevich (2021–2025)
Paintings, reliefs, 3D-printed elements, RGB LED light — dimensions variable
Flat compositions develop into reliefs and light structures. Painting expands into space, with color and light becoming structural components.
Alien Care (2013–2026)
Participatory installation, sculptural figure, chair, bandages, mixed media — dimensions variable
Visitors apply bandages to a seated alien figure. The accumulation of care forms a new skin. The work shifts from object to collective act.
Virtual Grids (2001–present)
Paintings and digital works, oil on canvas, 3D animation — dimensions variable
Painted grid structures are translated into digital environments and brought back again. This creates an ongoing interplay between the physical and the virtual.