In this series I take movements and actions from television images or my own video material. Using Photoshop, I combine successive video stills into a new composition, which I then translate into paint on canvas. The painting thus becomes a condensation of time: multiple moments brought together in a single pictorial plane.

In this series I use video stills with subtitles taken from television. By carefully combining two to three fragments, a new whole emerges in which language and image unexpectedly reinforce or contradict one another. In this way, the painting becomes a space where meanings shift and where the subtitle plays as decisive a role as the image itself.

In this series I paint video stills of action scenes taken from television. The result is a fixed movement: a moment of intensity captured in paint. The title refers both to the freezing of the image and to the paradox that, even in stillness, action is still present.