St. Sebastian with Birds

A virtual 3D model finds its way into reality through a printed mold, filled with fat and birdseed. Saint Sebastian, pierced by arrows, reappears again and again in shifting guises: constructed, deformed, tested. Birds take on an unexpected role, at once sculptors shaping the work and eaters slowly making it disappear.

Transformations

2022 – St. Sebastian with Birds No. 1

The first small version of the sculpture was created using 3D software and 3D printing. A scan of Adonis (1808) by Bertel Thorvaldsen formed the basis, adapted to the pose of Rubens’ St. Sebastian (ca. 1614). With a 3D print and a silicone mold, a negative form was made, which was then filled with melted fat balls and birdseed. In this way, an edible sculpture emerged, left to the mercy of the birds.

In the video, birds construct a sculpture of St. Sebastian as if they were the sculptors. The arrows piercing the saint serve as scaffolding on which they can climb higher. The sculpture grows under their beaks: a tribute to a man who was never able to live his faith in freedom.

By playing the film in reverse, the birds take on a role they never had in reality. They seem to be creating rather than consuming. In fact, they were eating fat balls hung in the artist’s garden. The work plays with perception: the viewer can trick themselves into believing, if only for a moment, that they are as free as a bird.

Installation in the exhibition I Know Why the Caged Bird Sings at WARP in Sint-Niklaas, with a work by Honoré d’O on the back wall.

Project overview: at the bottom the silicone mold in four parts. On the left the 3D-printed figure of St. Sebastian, at the top center the first sketch of the idea, and at the top right a cast in fat and birdseed.



2023 – St. Sebastian with Birds No. 2

In the second stage, an attempt was made to create a sculpture about sixty centimeters tall. For this purpose, a completely new mold was designed in 3D, with the aim of releasing it smoothly from the delicate mixture of fat and birdseed. The mold was printed in yellow ABS filament.

 

The video on the left shows a montage of the sculpture being consumed. The video on the right demonstrates how the mold is filled and later removed.

 

This mold was also used in the project The Great Escape of St. Sebastian (page under construction).


Process Photos SSB No. 2


2023 – St. Sebastian with Birds No. 3

In this third project, the work appeared life-sized for the first time. The mold from the second stage was scaled up; to fit into the 3D printer, several parts had to be split in two. In total, the mold consists of about 105 pieces.

The completed sculpture remained upright for about seven weeks, until it suddenly collapsed. The wooden framework that attached the sculpture to its pedestal had broken.

In the video on the left, the mold is removed in accelerated time and the arrows are attached. In the video on the right, the birds appear and the gradual deformation unfolds until the sculpture finally toppled. Even on the ground, the birds kept feeding until it had almost completely disappeared.


Process Photos SSB No. 3


2024 – St. Sebastian with Birds No. 4

The original framework was replaced by a sturdier version in stainless steel. The pedestal was reinforced with additional bars and a thicker top plate, bringing the development process to a close. It would be wonderful to present the work again in the future, at a fitting location.