A new way of introducing change to the panel: older drawings are affixed to it. They partially disappear, yet simultaneously merge into a new whole.

The original signature is transformed into a Naming–Value Butterflies. In this way, the panel becomes a place where past and present in my work flow into one another.

The project Drawing in Motion has been running since 2017 on a large wooden panel of 3 × 2.2 meters. I draw layer upon layer, each time adding something new or erasing again. This creates an ever-changing image in which the drawing is no longer a static endpoint, but a process without a fixed outcome. Photographs of the panel are collected in a video work that I update regularly.