Between Open and Closed

In this project, I explore how roller shutters – objects normally used for protection, concealment, or safety – can acquire a symbolic meaning. Through their movement of opening and closing, they become carriers of tension and transformation: they can grant or deny access, reveal or conceal, invite or exclude.

Transformations

2019 - Buddha on Speed

Along a busy road stands a pole topped with a box. In Belgium, such a pole is instantly recognized as a speed camera: drivers slow down as soon as they see it. In my version, however, there is no camera inside the box, but a statue of the Buddha. Each time a car approaches, the shutters of the box close quickly.

 

 

The Buddha reveals himself only when it is quiet, when no human presence is near. He seems to withdraw from the world, yet at the same time he deceives the passing drivers: they believe it to be a speed trap and slow down. Fear of control thus creates an accidental moment of calm. The illusion leads to stillness – an unexpected kind of enlightenment. The work plays with the tension between speed and awareness, external discipline and inner control, the noise of the world and the silence of the mind.

 



2019 - Closed or Open House

In this 3D animation, I show a house that alternately shuts itself off from and opens up to its surroundings. At first, it is completely enveloped in darkness, its shutters closed. Only through small slits can one peek inside.


Then the shutters of the windows and doors open: the house literally unfolds itself to the neighborhood. A visitor may knock and might or might not be allowed in. Finally, even the shutters covering the walls open. But there turn out to be no walls at all – the house dissolves into light, spreading warmly and invitingly outward.



2019 - Transfiguration

For Transfiguration, I used a 3D replica of the statue Christ the Redeemer, overlooking Rio de Janeiro. A smaller version of this iconic figure stands beneath a bridge, surrounded by metal shutters. As the shutters slowly close, the human form of Christ disappears, leaving only the cross – a transformation from a figure of worship to a universal symbol of faith.

 

 

The work explores how religious imagery evolves from concrete, human representation to abstract symbol. Where the figure of Christ embodies a personal relationship between humanity and the divine, the cross withdraws from the human realm and becomes a sign that can hold many meanings – a collective vessel for hope, sacrifice, or redemption. In this shift from body to sign, from devotion to a person to recognition of an idea, religious meaning does not vanish but changes shape.